An 85-storey faceted glass supertall on Dubai Marina, tapering to a sharp asymmetric spire — hotel-serviced residences with a private yacht arrival, a hammam and an iftar terrace seventy floors up.
A cut stone on the marina — and the life of a serviced residence inside it.
Marina Crest folds its facade in large triangular planes with champagne-bronze fins along the fold lines and a darker sky-lobby band two-thirds up. The story is hotel-grade living: the yacht berth under the bronze canopy, the hammam under star skylights, an extended family at iftar on the sky terrace, a butler setting Arabic coffee at dusk.
At this height most renders lose the top of the tower or the marina context. Every wide shot had to hold the whole spire, the Marina towers, the Palm and Ain Dubai — and the light had to be the real dusty gold of the Gulf.
The faceted spire and the sky-lobby band are named on every exterior so the model can't swap in a flat roof. Interiors run smoked oak, Portoro marble, brass and camel leather; people are Emirati and international, dressed as they actually would be.
Twenty-two 4K stills plus plan, elevation, massing model, clay study and material board — the full worked-up package for a launch gallery.
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